
She watches from the train. Same route, same strangers, same broken routine—until something shifts. A woman disappears. A memory resurfaces. And Rachel, already unraveling, finds herself pulled into a mystery that’s as blurry as the window she stares through.
“The Girl on the Train,” adapted from Paula Hawkins’ best-selling novel, takes everything you loved about the book—obsession, unreliable narration, the slow creep of dread—and brings it to life on stage. It’s tense. It’s messy. It makes you question what you saw, even when it’s right in front of you.
A psychological thriller that doesn’t just keep you guessing—it keeps you doubting